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MOTT - Shouting And Pointing

European Import : Candy246

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Nigel Benjamin (vocals)
Ray Major (guitar, vocals)
Morgan Fisher (keyboards, vocals)
Overend Watts (bass, vocals)
Dale Griffin (drums)
Produced by: Mott, Eddie Kramer
Engineered by: Eddie Kramer
Mixed by : Bill Price
Mastered by: Bill Price
Digitally Remastered by: Jon Asley
Special Deluxe Collector's Edition - fully restored and remastered audio with a bonus track. Foreword by Joe Elliott. 16 page full colour booklet - 3,500 word essay, enhanced artwork, rare photos and band involvement. When Ian Hunter and Mick Ronson quit Mott The Hoople in late 1974, many thought that the band would become just another fondly remembered and well respected entry in the history of rock. Few would have gambled on the remaining band members rising up, dusting themselves down and getting back in the ring ready to fight another day. Re-tooled under the newly abbreviated moniker of Mott, the band recruited guitarist Ray Major and super talented yet unknown vocalist Nigel Benjamin, releasing 'Drive On', one of the most impressive albums of 1975. Finding support at all levels, the band reconvened for the follow up album 'Shouting And Pointing', issued in 1976, a far more panoramic record which took the original Mott The Hoople blue-print, using it to their advantage, increasing the energy level and constructing songs that utilized ambitious arrangements. Nigel Benjamin was a real find, a man seemingly without any vocal ceiling who was also a great frontman. Produced by studio veteran Eddie Kramer (Jimi Hendrix, Led Zeppelin) at the Manor studios in Oxfordshire and mixed by the equally esteemed Bill Price (Sex Pistols, Guns 'N Roses) the material is both challenging and commercially addictive. Songs such as 'Collision Course', 'Storm' and 'Hold On You're Crazy' rock the house but its 'Career (No Such Thing As Rock And Roll)' and the title track that construct a vivid picture of the band's grandiose ambitions.
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